DESTINATION VS. JOURNEY
By MICHAEL PERKINS
I HAVE A WANDERING EYE. Not due to muscular weakness or marital infidelity, but to a malady particular to long-time photographers. After decades of shoots big and little, I find that I am looking for pictures nearly everywhere, so much so that, what appears to many normal people to be formless space or unappealing detail might be shaping up in my mind as My Next Project. The non-obvious sings out ever louder to me as I age, and may find its way into my pictures more often than the Celebrated Scenic Wonder, the Historically Important Site or the Big Lights In The Sky that attract 99% of the photo traffic in any given locality. Part of this has to do with having been disappointed in the past by the Giant Whatsis or whatever the key area attraction is, while being delightfully surprised by little things that, for me, deserve to be seen, re-seen, or testified to.
This makes me a lousy traveling companion at times, since I may be fixated on something merely “on the way” to what everyone else wants to see. Let’s say we’re headed to the Great Falls. Now who wants to photograph the small gravel path that leads to the road that leads to the Great Falls? Well, me. As a consequence, the sentences I hear most often, in these cases, are variations on “are you coming?“, “what are you looking at?” or, “Oh my God, are you stopping again????”.
Thing is, some of my favorite shots are on staircases, in hallways, around a blind corner, or the Part Of The Building Where No One Ever Goes. Photography is sometimes about destination but more often about journey. That’s what accounts for the staircase above image. It’s a little-traveled part of a museum that I had never been in, but was my escape the from gift shop that held my wife mesmerized. I began to wonder and wander, and before long I was in the land of Sir, We Don’t Allow The Public Back Here. Oddly, it’s easier to plead ignorance of anything at my age, plus no one wants to pick on an old man, so I mutter a few distracted “Oh, ‘scuse me”s and, occasionally, walk away with something I care about. Bonus: I never have any problem shooting as much as I want of such subjects, because, you know, they’re not “important”, so it’s not like queueing up to be the 7,000th person of the day doing their take on the Eiffel Tower.
Now, this is not a foolproof process. Believe me, I can take these lesser subjects and make them twice as boring as a tourist snap of a major attraction, but sometimes….
And when you hit that “sometimes”, dear friends, that’s what makes us raise a glass in the lobby bar later in the day.