the photoshooter's journey from taking to making

CAUSE AND EFFECT

Sun Pennants, 2014. 1/400 sec., f/5.6. ISO 100, 35mm.

Sun Pennants, 2014. 1/400 sec., f/5.6. ISO 100, 35mm.

By MICHAEL PERKINS

THERE’S NOTHING WORSE THAN COMING HOME FROM A SHOOT realizing that you only went halfway on things. Maybe there was another way to light her face. Did I take a wide enough bracket of exposures on that sunset? Maybe I should have framed the doorway two different ways, with and without the shadow.

And so on. Frequently, after cranking off a few lucky frames, we’re like  kids walking home from confession, feeling fine and pure at first, and then remembering, “D’OH! I forgot to tell Father about the time I sassed my teacher!”

Gridlight, 2014. 1/200 sec., f/5.6, ISO 100, 35mm.

Gridlight, 2014. 1/200 sec., f/5.6, ISO 100, 35mm.

Too Catholic? (And downright boring on the sins, by the way..but, hey) Point is, there is always one more way to visualize nearly everything you care enough about to make a picture of. For one thing, we are always shooting either the cause or the effect of things. The great facial reaction and the surprise that induces it. The deep pool of rain and the portentous sky that sent it. The force that’s released in an explosion and the origin of that force. When we’re there, when the magic of whatever we came to see is happening, right here, right now, we need to think up, down, sideways for pictures of all of it, or as many as we can capture within our power….’cause once you’re home, safe and dry, it’s all different. The story perishes like a soap bubble. Shoot while you’re there. Shoot for all the story is worth.

It can be simple things. I saw the above image at one of the lesser outbuildings at Taliesin West, Frank Lloyd Wright’s legendary teaching compound in Scottsdale, Arizona. An abstract pattern made from over-hanging strips of canvas,used as makeshift shade on a path. But when I reversed my angle and shot the sidewalk instead of the sky, I saw the effect of that cause, and it appealed to me too (see left). One composition favored color, while the other seemed to dictate black & white, but they both could serve my purpose in different ways. Click and click.

It bears remembering that the only picture that is guaranteed to be a failure is the one you didn’t take. Flip things around. Re-imagine the order, the role of things. Go for one more version of what’s “important”.

Hey, you’re there anyway.…..

 

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6 responses

  1. That Place is great. I live about 2 miles down the road. have done quite a few shoots here actually too.

    October 3, 2014 at 3:55 PM

    • Always a great source of abstract compositions! Thanks for your visit!

      October 3, 2014 at 4:32 PM

  2. Thomas Depaepe Photographe

    You are right : too many time we forget to find another angle and way to capture a scene. A nice example for a right point.

    October 7, 2014 at 3:01 AM

    • We almost have to think of our minds as being mounted on a turret, and remember to turn around and around for all the photographic facts. Thank you so much for your visit.

      October 7, 2014 at 7:02 AM

  3. Thinking out of the box. I like it =)

    October 19, 2014 at 8:53 AM

    • Somedays, I have to root around just to FIND the box! Thanks for reading.

      October 19, 2014 at 9:29 AM

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