THROUGH A FUZZY CRYSTAL
By MICHAEL PERKINS
I GENERALLY STAY OUT OF THE PREDICTION BUSINESS, and with good reason. Anyone who sets himself up in the prophecy business had better keep his day job, a truth which has been demonstrated time and again by any number of junior league wizards who believe they know how to read the tea leaves in Tomorrowland. That’s why I have always kept the pages of The Normal Eye pretty free of excess doses of prognostication on what’s next or what’s inevitable regarding photography.
However, even though it’s foolish to cite specific equipment or inventions as “proof” that a new day has arrived, it’s often obvious when something of a tipping point is coming that will transform the entire process of making pictures. And I feel confident that we are now at one of those points as the latest smartphone cameras begin the blurring, if not the erasure, of difference between photography in mobile devices and photography from traditional gear, especially, for the first time, DSLRs.
The main gist of this tipping point is the ability of mobiles, finally, to allow for manual override of many camera functions that were, in earlier years, completely automated. Phone cameras in their original iteration were an all-or-nothing proposition, in that you clicked and hoped that the device’s auto settings would serve up an acceptable image. As for any kind of artistic control, you had to try to intervene after the shutter snap, via apps. It was the opposite of the personal control that was baked into DLSRs, and many photographers rightly balked at abandoning their Nikons and Canons for what was essentially a compact point-and-shoot.
But we are suddenly in very different territory now. The newest models by a variety of smartphone manufacturers will not only offer shooting apertures as wide as f/1.8, drastically increasing the flow of light to the camera’s sensors, but will also give shooters the option to either tap-customize a variety of shooting settings on-screen, or merely leave the device on full auto. The ability to override factory defaults is what separates the camera men from the camera boys, so this, in the words of Joe Biden, is a big &%$#ing deal. It means that many photographers who never even considered doing their “serious” shooting on a smartphone might at least mull over the option of leaving their full-function DSLRs at home, at least occasionally.
It would be foolish to predict the wholesale desertion of capital “C” Cameras by the shooting public, since such changes never come about for everyone at one time. Plenty of people continued to ride horses after the first flivvers rattled out of the factory. But there is certainly a major debate on the horizon about how much, and what kind of camera allows you to get the shot, easier and more of the time.
And getting the shot, as we know, is all that has ever mattered. All the rest is cheek music.