the photoshooter's journey from taking to making

VIRTUAL SHOPLIFTING

Mobile phone close-up of an antique camera flash pan, negatized in post-editing.

Thrift shop still-life: a mobile phone close-up of an antique camera flash pan, negatized in post-editing.

By MICHAEL PERKINS

ONE OF THE EMERGING OPPORTUNITIES FOR PHOTOGRAPHERS is the newly accepted way not to look like a photographer, a kind of invisibility based on strange public perceptions. This has only become possible with the arrival of the smartphone, and, although insane logically, it affords a new freedom to street photographers.

It’s simple, if crazy: carry an actual camera inside a phone, just as many millions of others do, and you’re somehow “safe” or trustworthy, not one of predatory, intrusive “professionals” with obvious cameras who are out to trick you, track you, capture your soul in their satanic box. Now, how we explain away the fact that the phone camera is far more stealthy, far more insidious and far more omnipresent than, say, a Canon or Nikon is anybody’s guess. But, dopey or not, this new code is now hard-wired into people’s brains as it regards street work. So little camera=harmless. Big camera=end of the world as we (or over-zealous mall cops)know it. You figure it out.

So, when it comes to grabbing quick snaps in stolen moments, it’s becoming harder not to embrace the crazy and just use a smartphone as your default street tool. I’m not completely there yet, but when I’m surrounded by things that I will either never see again, or have never seen before, it’s tempting to play spy shooter with the little clicker.

Some of the greatest sources of still life material, for example, are the dense shelves of flea markets, antique shops and thrift stores. You don’t want to buy this stuff, since (a) you can’t afford it and (b) the Mrs. will send both it and you to Goodwill, but the occasional odd item might just make a decent abstract bit of design. Camera gear from yesteryear is always an easy sell, and I was ecstatic to do a virtual shoplift on the ancient flash attachment you see above as a fun way of re-purposing an object through selective framing and processing.

It’s frustrating to find more and more places where it’s easier to negotiate a nuclear treaty than get an okay for regular photography, so it’s no shock that more and more inroads are being made for mobile cameras and the access that no one feels like denying them. And they say I’m nuts.

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