THE GENTLE WELCOME
By MICHAEL PERKINS
But soft! What light through yonder window breaks? —Shakespeare
OKAY. AS IT TURNS OUT, IN THE ABOVE LINE, ROMEO WAS ACTUALLY RHAPSODIZING about his main squeeze, rather than ideal photographic conditions. Still, I often think of the quote when a sudden shaft of gold explodes from behind a cloud or a sunset lengthens shadows, just so. I have lots of But, soft! moments as a photographer, since light is the first shaper of the image, the one element that defines the terms of engagement.
After light, for me, comes focus. Where it hits, where it peaks, where it falls off, and how all these aspects shape a composition. Soft or selective focus especially seems more intimate to me, a gentle welcome to share something special between picture and viewer. In recent years, focus has become almost as fine-tune-able as light itself, with the introduction of new, affordable alternatives to expensive “tilt-shift” lenses, which allow the selective blurring of elements within the frame. For example, the revolutionary Lensbaby products are now helping shooters make their own choices on where the focal “sweet spot” should occur in a picture, and at a fraction of the cost of a true tilt-shift. It’s a fiscal shortcut that makes it possible for almost anyone to learn how to create this effect.
Some Lensbabies can run to several hundred dollars and have precise systems for dialing in the part of a photograph that will, through sharp focus, attract optimum attention to a subject, gently blurring the image on all sides around that point. However, for those with steady fingers and shallow pockets, the company’s gateway drug, coming in at around $90, is the Lensbaby Spark, a springy bellows lens that snaps onto your DSLR in place of a regular lens and can be compressed around the edges to place the focal sweet spot wherever you want it.
The Spark takes more muscle control and practice than the more mechanical Lensbaby models, but it’s a thrifty way to see if this kind of imaging is for you. Just squeeze the fixed f/5.6, 50mm lens until the image is sharp at the place you want it, and snap. Some DSLRs allow the Spark to be used on aperture priority, but for most of us, it’s manual all the way, with a lot of trial-and-error until you develop a feel for the process. The company also sells several insert cups so that you can choose different apertures. Pop one f-stop out, pop another one in.
For those of you who like to custom-sculpt focus and light, the gauzy, intimate effect of the Lensbaby will in fact be a gentle welcome. Finally, it’s one more component that could be either toy or tool. Your shots, your choice.