the photoshooter's journey from taking to making

TWO FOR LUNCH

And Then I Told Her (2016)

And Then I Told Her… (2016) 1/40 sec., F/5.6, ISO 100, 24mm.

By MICHAEL PERKINS

PHOTOGRAPHS DON’T HAVE TO BE ORGANIZED AROUND SYMMETRY, or even have a discernible “center” to them. However, the eye seems to find comfort in quickly settling on a “starting point” in an image, a place from which to proceed, or to be led to deeper discoveries.Designers for everything from magazine articles to websites toss around terms like visual weight and bottom-up processing to float various theories about how to direct the eye, with each system boasting top efficiency. A balanced pattern near the middle of the picture is thus not necessarily a “must-have”, just a fairly reliable “feels-right”.

By way of demonstration, a photographic center that consists of two people facing each other, talking, is a fairly easy anchor around which to build a straight narrative in an image. As the two heads arc left and right, a rough set of parentheses establish a very basic symmetry, and can help ensure that the middle of the picture engages the eye first. Based on architecture and surroundings, other things in the frame can either enhance or contrast with the symmetry in the middle, and that’s all a matter of taste for the photographer.

Many times a lunch counter or a restaurant gives me the talkers I need, so I tend to be on heightened alert when I enter such places. However, many of the photos I’ve made like this did not originally begin with the two people as the central emphasis: that happened in the cropping process.

In the above image, there actually was enough supportive symmetry from the background so centering the talkers and resizing the photo as a square seemed to be a good overall strategy. Of course, there is no hard and fast rule for these kinds of choices. All than can be said is that, for this picture, in this case, with these elements to work with, centering the conversationalists and placing them at the center of a square made sense. There is an entirely separate case to be made for selective use of the square as a compositional boost, and we’ll deal with than at another time.

Meanwhile, dropping in on two folks for lunch can act as a springboard for a certain kind of picture.

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