By MICHAEL PERKINS
THANKSGIVING WEEK USUALLY DEPUTIZES WRITERS OF EVERY VARIETY to generate lists of things the author is thankful for, everything from baby puppies to the designated-hitter rule, all enveloped in the gold glow of gratitude. Photographers are usually not enlisted for these rosters of wonderfulness, but, if you make pictures long enough, you will, no doubt, have a list of very specific items that warm your heart.
Over a lifetime, I have generally been grateful for photography’s consistent ability to excite my senses, challenge my thinking, and create the addictive sensation known as surprise. I’m grateful that George Eastman introduced the first practical roll film, taking photography from the hands of the few and giving it to the world at large. I’m glad that images have found languages with which to speak to people, languages that surpass the power of speech. I’m glad that photographs stitch together links across every gulf of human experience. And I’m thankful for the pictures that enraged me to action, that gladdened me to tears, that encouraged me to make more pictures of my own.
I’m grateful for the men and women who have created the greatest visual art form the world has ever known. You can sub your own gallery of gods, but mine includes Ansel Adams, Berenice Abbott, Garry Winogrand, Alfred Stieglitz, Henri Cartier-Bresson, Gordon Parks, Margaret Bourke-White, Edward Weston, Robert Frank, Edward Steichen, Robert Capa, Diane Arbus, Weegee, Walker Evans, Julia Margaret Cameron, W.Eugene Smith, Dorothea Lange, Richard Avedon, Annie Liebowitz, and, most importantly, the millions of invisible eyes and hands out there cranking, out there living by one unshakable credo: Always be shooting.
I thank the photo gods for images of my parents, first as sweethearts in the aftermath of World War II, then as newlyweds in the ’50’s, then as Mommy and Daddy in the Space Age, and presently as the great long-distance runners of romance, still mad for each other at 66 years and counting. I thank fortune for the bunny ears and hamming and mugging and bright toothy giggles of my own children, frozen now in their newness and their hunger for life. And I incidentally thank luck for Kodachrome, quick-charging batteries, fast lenses and a few moments in which I swung around, just in time, and got the shot.
The camera is many things…charmer, chronicler, narrator, witness, liar, magic wand. It gains all these special powers in the hands of people. Photographs are measures of who we are, what we care about, and what we want time to say about us after we’re gone.
Lots to do, lots left to attempt.
Lots to be thankful for.
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