HOWS AND WHYS
By MICHAEL PERKINS
AS THE NORMAL EYE BEGINS ANOTHER YEAR of scraps and scribblings, we like to both welcome those of you who’ve joined our little volunteer fire company since we last passed “go”, and thank our long-term friends and contributors for their vision and faith. As they say on the airlines, we know you have many choices for ways to fly. That you choose, from time to time, to fly with us is a great privilege.
We also mark the turn of the calendar to re-affirm what this home-town newspaper is, or is not. To my mind, the most vital part of photography has never been about mere technical proficiency. Virtually anyone, I believe, can learn the rudiments of exposure and aperture in a weekend. Not master them, but learn them. The greater task, by far, for anyone hoping to attain that mastery, is to train oneself to see in ever more comprehensive ways, to develop the instinct-based curiosity that takes the creative decisions from the camera’s automodes and puts them back into the hands of the photographer.
Prior to the development of more and more fool-proofed ways of acquiring consistently satisfactory images from the technical assists offered by amazing cameras, the native, or “normal” state of the photographer’s eye was one of mindfulness, of forethought, of consciously mapping out and planning a shot. Thus, as our name implies, “the normal eye” is one that sees critically and makes choices with deliberation. That means declaring more and more independence from mere technology. It means that your camera is your servant, not your master.
In the years since The Normal Eye was launched, the world has witnessed several significant revolutions in photographic philosophy, all of them placing the highest possible emphasis on experimentation and the kind of wondrous, personal uncertainty that can only result from the photographer, and not the camera, being in charge. The rebirth of instant camera’s, the refusal of film to “die”, the Lomography movement…. all are happening, not because of any sage wisdom in these pages, but because art cannot stand still, and will always reject the notion that everything’s already been invented, or that all the great images have already been shot.
The journey from taking pictures to making pictures remains irresistible, and, as it happens, inevitable. Thank you once again for joining us on that road.