INCIDENTALS, ACCIDENTALS AND D.L.s
By MICHAEL PERKINS
YOU CAN’T BEGIN TO WRITE THE STORY OF PHOTOGRAPHY without acknowledging the role of the fortunate accident in the output of, well, everyone. Anyone who says he’s never been handed a rose from Lady Luck from time to time is either delusional or a dead-on liar. If we admit that chance occasionally turns our best plans to piddle, why not admit that we also randomly wind up in the winner’s circle on a free pass?
Here’s my freebie for probably the rest of this year, as I can’t see the triple crown of incidentals, accidentals and dumb luck converging as they did here anytime soon. Let’s look at the recipe in detail:
1: Accidentals. While walking along the edge of a footbridge alongside Tempe Town Lake in Arizona, I spooked a small flock of birds resting out of sight just beneath my feet. I heard them flee before I saw them head into open water.
2. Incidentals. For reasons I still can’t fathom, the birds did not take to the air, as you might expect, but escaped across the water, creating gorgeously trailing coils of ripples as they went. That slowed everything down enough that my startled synapses rebooted and started to shout, get your camera up to your eye. That led me to the one element that made the crucial difference, known to us all as:
3. Dumb Luck. After a lens change, I had walked almost a mile from my car when I realized that I had forgotten to slap on a polarizing filter, making shots across water in the sun of an Arizona midday almost guaranteed to saturated with glare. I had already improvised a crude hack my taking off my clip-on sunglasses and holding them in front of my lens. This had only intermittently worked, since I either left part of the field of view uncovered, or failed to hold the specs at the right angle, incurring wild variances in polarizing. As soon as my animal brain realized that I had one shot before my bird water ballet was out of reach, I had to frame, focus (I was already at f/8, so there was some help there), and get the sunglasses in position without deforming all that blue. Even at that, there’s quite a difference between the rendering of color in various parts of the frame.
What you see here, then, is the photo goddesses throwing me a bone. A big bone. We’re talking the rear haunch of a triceratops.
But, yeah, I’ll take it.