the photoshooter's journey from taking to making

THE INVISIBLE MIDDLE

 

By MICHAEL PERKINS

GIVEN THAT JOB ONE, FOR A PHOTOGRAPHER, is maximizing his ability to see, it’s worth considering how we unconsciously condition our eyes not to see….to, in a way, confer a sort of invisibility on whole big chunks of the viewable world. It’s not that those chunks can spontaneously vanish on their own: it’s that we, in the act of managing the everyday flood of sensory information, prioritize some data above others. The lowest priority data effectively becomes invisible.

 

Cities provide an interesting example of this phenomenon, which I term the Invisible Middle. The upper stories of the buildings in a metropolitan are clearly noticed as “treetops”, clusters of skyscrapers easily apprehended from a distance. Equally visible are the bottom, or street-level layers of cities, the door-to-door sequences of businesses that parallel our daily journeys, the very stuff of habit. By contrast, the details of urban life from just above our line of sight all the way up to the spires and crowns of the skyline can become phantom acreage, something our schedule doesn’t demand that we notice.

As one example, the building shown here, 452 Fifth Avenue in New York City, presents a magnificent face to anyone lucky enough to be in a position to crane their neck just a few extra floors above street level. Built in 1902, when a ten-story building was still a big deal in Manhattan, the Knox Building, named for Edmund Knox and the hat factory that made him a millionaire, was an anomaly from the start. Knox decided not to engage just any architect, but to hire John Hemenway Duncan, the man who had designed both the memorial arch at Brooklyn’s Grand Army Plaza and Grant’s Tomb, an act slightly akin to hiring Frank Lloyd Wright to build you a 7-11. Decades later, however, having survived years of attempts to raze it, the Knox landed on the National Registry, and in the 1980’s, got a new glass tower wrapped around it to make it the crown jewel of a major midtown banking complex. If one of Mr. Knox’ hats were still available, giving it a tip would be an apt gesture of respect.

This particular view was chiefly available to me because I was seven floors up in the building on the other side of Fifth Avenue. Vantage point gave me access to this part of the city’s Invisible Middle, but, more importantly, it left my eye hungry for more, and just a little more trained as to the complete range of places to cast my gaze. Because of this lucky accident, I may, in future, also do other good things….on purpose.

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