SIGNS OF WHAT TIMES?
By MICHAEL PERKINS
EVEN IN A WORLD BENT UPON WORSHIP OF THE NEW, not all of the past is erased all at once. The destruction of the old may indeed seem inevitable, but sometimes it is gradual, even incomplete. And when the inexorable crush of progress is even partially slowed, photography gains entry to the process of change, and can bear witness.
Neighborhoods come and go: businesses close: eras end. Still, the architectural and aesthetic footprint of fashions and trends can linger long after their original animus has faded. What’s left in view are signs, buildings, old faces in new places, strange survivors left alone on blighted blocks. On this site will soon stand…..
The old ways are debated by civic groups and historical societies, with the value of what we were weighed against the forward surge of new needs. What deserves to be preserved? What should already have been dismantled? Opportunities for the photographer are obvious. We make a record. We give testimony. And when things must depart, we prevent their being forgotten, at least not for lack of evidence.
For nearly 100 years, San Franciscans in the heart of the Bay City’s business and tourist energy stopped at Marquard’s Little Cigar Store at the corner of O’Farrell and Powell for their morning paper, a bottle of spirits, or a pack of smokes. The neon sign announcing these delights was erected sometime in the ’20’s and stayed until Danny Ortega, who first climbed a ladder behind the counter to wait on customers while in early grade school, finally threw in the towel in 2005. At that point, the demolition of the store’s wraparound entrance seemed like a foregone conclusion. But local preservationists, eager to preserve the look, if not the function, of the old neighborhood, managed to get landmark status for at least the sign. What would henceforth happen beneath it would be up to the new leaseholders….in this case, a hat store whose smaller “LIDS” announcement can be seen in the 2012 image seen here. Several more years later, the neon tubing visible in this shot was also removed, still leaving most of the gloriously garish Marquard’s overhang intact, including its very West Coast promotion of the New York Times. This kind of half-a-loaf solution is becoming far more common in American cities, many of which are laden with buildings that can continue to cosmetically charm or educate, even as their original functions are either obviated or re-tooled. Movie theatres become live performance venues. Department stores become law schools. And cigar stores become landmarks, reminders of who we were just a few scant minutes ago.
I always feel privileged to photograph places that have been even partially saved from the wrecking ball. First, because it’s as close as I’ll ever get to the original local energy that birthed them. But more importantly, because, without the testimony of photographs, yesterdays become obliterated at ever greater speeds. Certainly taking just a little more time to properly say our goodbyes takes work. But as with any bittersweet task, there’s a little smile accompanying the tears.
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