By MICHAEL PERKINS
WE’VE ALL ENDURED ONE: a brave gig by a solitary volunteer musician, solemnly squeezing out a song set on a threadbare recreation-department stage, providing aural filler near the picnic tables at an art festival/neighborhood fair/neighborhood rally. Crowds are sparse to the point of threadbare: enthusiasm is restricted to a few anemic claps between tunes: stage announcements mostly involve updates on the change in location for the caramel corn tent. For the artist, the whole performance is the musical equivalent of a game of solitaire.
But, hey, my son has copies of my CD at the table over there.
Now that’s optimism.
On the day this image of a doggedly dedicated young pitchman was taken, his mother was smiling and slogging her way through a hot Labor Day afternoon on a nearby platform while he ran the store. The budding entrepreneur was referenced on mic several times, responding to the plug by pivoting, pirouetting, and punching the air with a $5 disc held aloft. His energy waxed and waned, now calming to a mild wave, now heating up to a wild flailing of arms, spinning on the ground, and, at the moment I snapped him, conducting from the height of a folding chair. As he spots me, his gaze is a mixture of caution, determination, and businesslike focus, as he tries to assess whether I am a fan, or a threat, or even his shot at the fame for which he is so earnestly striving. The sum of all these feelings is a perfect storm of childhood, and I scoop it up gratefully.
His dedication also earns a small cash dividend, as he manages to actually sell a few pieces, mostly to women who are hosting the art tents near him. Hey, I have a son of my own. Good boy.
Good indeed. He has given me a gift as well. Time to knock off, as I’m not going to find this kind of luck for the rest of the day. Now, where were they selling those corn dogs?