the photoshooter's journey from taking to making

NOTHING EVER HAPPENS AROUND HERE

Midday At The Monte Vista, 2019

By MICHAEL PERKINS

AS THE CAMERA IS A KIND OF REPORTER, it is called upon to capture or convey every aspect of the human experience. In a strict journalistic context, this can mostly consist of emotional extremes…..that is, joy, devastation, triumph, disaster, life, death. Feelings that laugh (or scream) out loud sell newspapers and pump ratings. But photographers are also called upon to show that, for one reason or another, we humans spend a lot of time….waiting.

You can make your own list of all the things we actually wait upon: trains, planes, the next opportunity, the last piece of cake, Christmas, true love. To be human is to abide, to patiently hang until the next item on life’s menu comes along. Sometimes there is nothing visually special in all that waiting. On the other hand, sometimes we can use our cameras to depict our restlessness, our expectation. Certainly time can slow to a crawl, and, with it, the heartbeat of our existence. But occasionally, all that “nothing looks”, at least in a photograph, like something.

We learn to document and measure emptiness. Cities before they fully wake. Courtrooms that have just emptied out. The first seepage of night into the dying day. Places that should be bustling, but aren’t. Towns on the edge of the end. People who’ve been stood up, left out, or merely missed their connection. But, there’s no guarantee that when “nothing” happens, a picture with “something” results. Sometimes, nothing is just…nothing.

But then again….

The hotel lobby seen here has graced its small town for over a hundred years. And it stands to reason that, if the owners were making a promotional video of that century, the end product would feature plenty of images of the famous and infamous who crossed its threshold over the joint’s lifetime. The parties. The ends of wars. The changes from horse-drawn carriages to tin lizzies. But today, there are no greatest hits on the schedule. Today, there is only waiting. Killing time. Glancing at the clock, again. Last week’s stale gossip reheated for today’s visitors. Perhaps a weary remark by someone that “nothing ever happens around here”. The challenge, then: on this particular day, will all that nothing arrange itself into a scene, a small story about a small day, a tale worth telling? Or is the waiting all there is?

Making photographs on “nothing” days is an exercise, just like push-ups or jumping jacks. Often it merely amounts to keeping in practice. Staying limber. Just in case. Still, the pictures where nothing happens are occasionally, themselves, something else.

Or not.

Anyone around here have a deck of cards?

 

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