THE OBSTACLE COURSE
By MICHAEL PERKINS
BOTH IN THESE PAGES AND IN MANY OTHERS, FROM PEOPLE far wiser than I, a very basic recommendation for photographers has been to choose the simplest camera that you can for what you want to shoot, rather than purchase a high-tech toy loaded with extras that you don’t currently use. Makes sense; get as many features as you actually need to get the job done, but don’t fall for the old con that your next best picture will only come once you buy your next, better, costlier camera. This advice is not based on some rugged manliness on my part, but on the simple truth that you need personal development far more than you need state-of-the-art (or break-of-the wallet) gear.
And now consider this corollary; equipment manufacturers cannot survive if you only buy simple, efficient cameras. They can only profit by selling you everything that comes with; the cases, the filters, the extra lenses, the solar-powered cookie oven that ties into your USB port. The reality for the legendary Eastman Kodak Company was that, even if it made almost nothing on the sales of its cameras, all those cameras needed film pretty much forever. As for the camera companies that didn’t also own their own film factories, there was allure in selling their customers that one extra cool trick that their camera could not do all by itself. And thus came the brackets, the bolt-ons, the custom attachments, the gauges, and the meters. This “just one thing more” approach was a vital part of the analog camera market, and it has carried forward into the digital era. The camera, apparently the very same one for which you just shelled out major buckos, is, sadly, just not enough.
The image seen here is from the user’s manual for one of the first automatic SLRs of the late 1970’s. All of this stuff was available for sale for one model of one camera from one manufacturer. You will notice that this exhaustive listing of geegaws does not even include auxiliary lenses, which would probably be more crucial than, day, #48, the battery-driven power film winder, made for those too lazy or absent-minded to wind the film on themselves (think ’70’s!). And while there may be few customers indeed who coughed up for the entire toy catalog seen here, the very fact that it exists tells us that there is a better than average chance that, if you make an “Extender FD-2XA”, someone will convince themselves that they need one.
Here’s the take-home; the rules of composition, optics and exposure have not substantially changed in the last 100 years. What changes is the elegant little tasks and tricks designed into the camera and its attendant add-ons beyond those basics. Some you need, but most you don’t. If the camera you buy does not do 75% of what you need to do all by itself, and in a few simple steps, take it back. No one ever became a better photographer by merely buying more equipment, and many have actually made their process so complicated with extra doodads that their pictures are worse. Start basic and stay there until you develop a genuine need to take an additional step, and then take it. If you only buy what you need, photography is an art, like painting. If not, it’s just a hobby, like collecting baseball cards.