By MICHAEL PERKINS
DEPENDING ON WHEN YOU FIRST READ THIS POST, the events of The Horror Year 2020 may well already have sealed the fate of the establishment I write about today. The perishability of current events is one of the reasons that, over the last decade, I have almost completely kept “news” items out of the pages of The Normal Eye. Such stories age worse than limburger in the hot sun, and I have mostly chosen to address the eternal questions that affect photography, those universal struggles that occur in every age, regardless of what’s on the front page on any given day.
But part of photography is always about that very perishability, the race to document or capture things before they vanish beneath the tides of time. And so I find myself calling attention to what is, at this moment, a poignant by-product of the Horror Year. On the surface, it’s just about the potential closing of a bookstore, hardly worth a ripple in the tragic tsunami of business failures and bankruptcies that are the persistent drumbeat of our current time. On another level, it’s about one of the most familiar and venerable of bookstores anywhere in America, the Strand in New York City, an establishment whose very existence symbolizes survival. Once part of a glorious 44-store district in the city known as Book Row, The Strand, at age 93, is the last man standing, its 2.5 million volumes serving as not merely a commercial concern but a community center, a cultural touchstone in the life of Manhattanites. Under the care of Nancy Bass Wyden, the granddaughter of the founder, the Strand, in this Season of the Plague, has crawled through the first months of the pandemic with some federal help, but, at this writing, it faces nothing short of extinction, and just this week, in October of 2020, the store has posted appeals to current and former customers around the world…a desperate S.O.S. that simply says, if you love us, save us. Within twenty-four hours of the story going public, the store’s website was so flooded with responses that it crashed.
And there my crystal ball goes dark. At the time of this writing, I can’t predict whether you, the someday reader, are smiling because the Strand has been saved or shedding a quiet tear at its passing. The one reason I felt compelled to cite a fast- moving news story at all in this forum is that it reminds me why we make pictures of things in the first place. Because they close. They fade. They burn. They fall to enemy bombs. To floods. To negligence. To our own failed memories. Photographs are one of the only hedges against the dread onslaught of temporal decay. And they themselves are also subject to that rot, becoming lost, left behind, forgotten. Beyond mere “souvenirs” of lost times, they are soul-venirs, testaments of times ago. For this reason, I went rooting this week through my old images of the Strand from the last twenty years. None of them are masterpieces, but all of them are markers, headstones for a time, and a condition, and a way of life, not only for New York but for your town, my town. Time is fleeting. Therefore make pictures. Sometimes, as Yogi Berra famously said, “nostalgia ain’t what it used to be”, but even a smudged shadow of history may someday be all we’ve got. Better to grab a box and go shadow-catching.
Michael, you have touched my soul with this one. Beautifully written. My mind immediately went to some of the things I have photographed that are long gone, the thought that I should have taken more, and the call to get out and catch memories of what may be gone tomorrow. Great post.
October 26, 2020 at 5:56 AM
You are always so very kind and supportive. I think TNE has always been about setting intentions rather than setting, you know, SETTINGS, and so it’s seems natural that, during our containment, we examine all the opportunities that photography affords us to give testimony. Please be safe and thanks again for your wonderful positivity.
October 26, 2020 at 11:29 AM