the photoshooter's journey from taking to making

TIDINGS OF COMFORT

By MICHAEL PERKINS (author of the new image collection FIAT LUX, available from NormalEye Press)

PHOTOGRAPHS ARE TRUSTEES OF MEMORY, AND, AS SUCH, can recall either clear testimony about the past as it actually appeared, or emotional echoes of how it felt. How you choose to depict something in the moment, whether real or abstract, will color the reliving of that event or thing in the future. In which case, will the photograph match your inner record of the experience? And is that experience sharp, as in a super-precise lens, or soft, as in the gauzy reverie of a dream?

Some photographs are made with a certain “emotional filter” in mind. Take the most personal, memory-driven events within our lives, such as the holidays. Can we really see clearly into the past as it exists in our mind? Does it seem softened or blurred by time? And if that’s how our memory renders things, is it accurate to depict such events, in the moment, in that hazy fashion?

It’s Beginning To Look A Lot Like…(2020)

I tend to interpret things that have a lot of sentimental heft in a way that resembles the look of memory to me…that is, softened, velvetized if you will. The hard edges and strong contrasts assigned to more reportorial photography seem too harsh when I’m cruising Christmas shop windows, and so my eye/mind/heart trusts a more diffuse approach. This is not revolutionary, of course, as many seasonal entertainments, from greeting cards to television favorites, are often rendered in a fairy-tale light and resolution. Can it become a cliche? Certainly. For me, however, such outward creations of holiday spirit comport perfectly with the movies that play inside my head, and so I really do dial back the “real” aspect on such  occasions. The image seen here has plenty of definition, and so diminishing its sharpness can add to the picture even as something is “subtracted.”

This is part of the intention you set for photographs. I hate the word “capture”, because it implies that you merely froze what was in front of you without interpretation or comment, and what fun is that? Reality is often insufficient in the way it plays to our feelings, and art of any kind can sand away its rougher edges to create a custom feel for the heart. Some messages should be shouted, while others are more hearable in a whisper. Photographs only begin with the mere recording of light, but, if we’re lucky, they end with something truly personal.

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