the photoshooter's journey from taking to making

NEARLY NAKED

By MICHAEL PERKINS

No One Knew What Lay Within, 2021.

 

ONE OF THE BY-PRODUCTS OF PROLONGED ISOLATION is the re-training of the artist’s eye, as more and more information is gleaned from fewer and fewer sources. The lifer convict thus knows more about masonry than the non-prisoner, simply because he is forced to stare at it longer. Or, to put it another way, as a person’s physical world contracts, as it has for many in the present era, things that are repeatedly re-seen can reveal more data than those that are quickly glimpsed. Notice that I am into my fourth sentence before uttering the dread word minimalism. And yet here we are.

I almost never deliberately seek out minimal compositions, at least not as part of some aesthetic religion; that is, I don’t set set out to make pictures that are, as I call them, “nearly naked”, stripped of all decoration or ornament. However, during the various stages of the creation of an image, I often decide that simpler is better, and re-set my course accordingly. And, as the worldwide Forced Hibernation has dragged on, I have found that a certain streamlining of many of my pictures is kicking in organically. Some of it occurs because I am forced to work with the same limited subject matter again and again, since traveling to a wider numbers of locations is presently off the menu. That can mean doing more than one “pass” on some pictures, and discovering. in that process, that I can, indeed, say more with less.

Those who already possessed sage wisdom or a certain Zen zeal might remark here that I should always have been on this journey, this growing sense of how to go about de-cluttering my vision. And to that, I would answer a resounding “maybe”. The image you see here is so simple a composition that I always would have approached it without the need for passing airplanes, utility poles, the surrounding parking lot, etc. However, where, before, I might have favored more detailed tableaux, I am finding, in a newly compelling way, that increasingly simpler pictures are calling to me these days. Likewise the rendering of excess detail or texture, which you’ll see is fairly absent from this picture. Does this mean I am growing as a person? Let’s not get ahead of ourselves. I am making pictures in a different creative environment for the moment, albeit with no guarantees that my technique will be fundamentally altered once I’m allowed out of the house more often (this site is three miles from my home). Still.

“There are two ways to be rich” children’s author Jackie French Koller wrote in 1948. “One is by acquiring much, and the other is by desiring little”. So, while I’m looking more intently at the masonry within my cell these days anyway, I might as well find out if that richer way of seeing will follow me once I’m sprung. In the words of another sage, Chuck Berry, “C’est la vie, say the old folks, it goes to show you never can tell…”

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