By MICHAEL PERKINS
AS MUCH AS WE’D LIKE TO PRE-VISUALIZE OR PLAN OUR IMAGES, the practice of photography is still chiefly a test to see how well we calculate and react in the moment. We all love to map out the various itineraries for our respective photo safaris in advance, but are also keenly aware that everything, literally everything in our blueprint can, and should be, blown to bits the moment magic is afoot.
The image you see here is the product of such a moment.
Officially, on the day this was taken, I was at the Coon Bluff Recreation Site in Arizona’s Tonto National Forest to scope out new birdwatching sites. I was a first-timer on the property, wandering pretty much in whichever direction my friends decided to drift. At some point, a smaller portion of our party decided to trek along the edge of the Salt River, in search of what I had no idea, or design. Half a mile or so later, I was surprised to have our point man remark that he had seen two horses wading and munching along the shore.
Barely five more minutes went by before it became clear that an entire small herd of wild mustangs had decided to cross the river from the far shore toward where we were standing. In what swiftly became something out of my own personal chapter of Lonesome Dove, I scrambled for an open space on the river’s sandy beach and, without thinking very much, cranked out as many frames at as many different exposures as I could. The entire parade got across in the space of barely two minutes. There was no way to plan: this was the frontier equivalent of what urban street shooters call “run and gun”. All in or all out.
But here’s the deal: while the appearance of a clutch of wild horses during a casual stroll certainly exemplifies the There Are No Second Chances rule in a very obvious way, all photographers are operating under that same rule all the time, in every situation. We may not be at risk of missing our own personal Wild West Fantasy, but there are thousands of expressions, variances of light, rapid transitions and other immeasurable changes that we stand to lose in every single shooting scenario. We are always being challenged to detect and isolate such moments-within-moments, with big events or small, and we need to calculate and click before the horses reach the opposite shore.
This is wonderful Michael. I hope to have a similar experience some day. Reminds me of a time when I shot a planned 90 second exposure of a rocket launch in Florida. After a decent shot, my friend asked to see the other shots. No…no other shots…a one and done.
March 31, 2021 at 6:09 PM
It’s amazing when you learn how many immortal images were created in five frames or fewer. From the famous “sailor kissing nurse” to some of the only surviving ground-level pictures of the D-day landing, amazing things have happened when shooters make the most of the moment.
March 31, 2021 at 7:48 PM