By MICHAEL PERKINS
OFTEN IN PHOTOGRAPHY, reality is, to be polite, inadequate. As in coming up short, unequal to the task of depicting or doing justice to life. We can convince ourselves that merely recording patterns of light and focus as we find them in nature is so authentic as to sell any image.
In fact, the “real” world is only, at best, a point of departure.
Depending on how and when you learned to make pictures, you may see the ”actual” world as either the ideal or as merely the place where you start, not where you end up. In the above picture, the wondrous gift in happening on the raw elements of this elegant tempts the viewer to just get the picture without pause or reflection.
However, in doing something as simple as gently over-exposing the scene, as was done in this case, you actively take control of the process, if only in a small way. In doing so, you turn mere recording into interpretation. The essentials remain the same, but the final product is now a personal expression. Your camera already possesses the ability to merely capture data. The photographer in you uses that data to craft something unique.