By MICHAEL PERKINS
PHOTOGRAPHERS GET A LOT OF PRACTICE HATING WHAT THEY HAVE SHOT, failure being, in our thinking, the necessary road to eventual success. As with any art, mastery is initially shaped by misfires, and so shooters spend a lot of time marinating in regret, longing to close the uncloseable gap between the vision of their eye and the fruit of their fingers. This, in turn, means that we are on very, very intimate terms with the pictures that merely “came close”.
But pining over what we believe we muffed, although it seems like the very heart of humility, is the wrong way to get to better pictures. Instead of thinking in terms of “keepers” and “klunkers”, we should realize that there is no completely wrong or right photograph. Even something we seem to have botched contains the germ of an idea we once loved, and even an imperfect execution shows that we were, after all, in search of something, well, worth searching for. Likewise, even our favorite images bear the same bruises as even the most succulent apple, in that there is always something we have left undone, or under-realized.
The Joy Dispenser, 2021
At the risk of sounding like I have attended too many post-graduate Zen classes, making a photographic image is, in itself, an essential good. It’s an act of faith….in our concepts, in our skills, in our evolving sense of truth and worth. In that light, we have many pictures which we claim that we don’t “love” which we should love…in spite. We begin making pictures by saying that some things in the ever-zipping parade of instants that make up our life deserve to be savored, preserved. We continue making them because that initial concept was true, and every salvageable frame that we produce after that starting point proves just how true it was.
And so, just as this image is a balance between what I wish I’d done better and what I actually manage to occasionally do perfectly, your best work is half-ripe, half-rotten fruit (the apple, remember?) We are all, as Cat Stevens wrote, On The Road To Findout. Stop trying to make the perfect picture and keep making the potential picture. Over the long haul, it’s a richer, more satisfying journey by far.