By MICHAEL PERKINS
AS PHOTOGRAPHERS, WE PROVIDE THE PROGRAM WHICH CAMERAS ARE INSTRUCTED TO PERFORM. The actual box itself, like many other tools, is really a dumb thing, fueled not by its own ideas but instructed to carry out the whims of its owner. The camera thus does not really “see”, but merely follows the direction of those who can.
If they can.
The frustrating part of photography’s learning curve is that, over time, we all come to think of our most enlightened ideas as, well, primitive. The things we regard as obvious in our present incarnation as picture-makers were once invisible to us. And it follows that our present blind spots may, in a future version of ourselves, be the source of our greatest accuity. We are thus learning photography on several planes. There is the merely technical level, in which the mastery of aperture and focus is the primary mission. Then there is learning to see, as we begin to recognize patterns, themes or compositions. Finally there is the ability to evaluate what we see, to place different emphases on things depending on how we ourselves have evolved. This transference can take a pictorial element from the status of an object to that of a subject. We notice a thing differently and thus we photograph it differently.
I find myself in the process of such a shift at the time of this writing, mostly because I have recently made new friends within the birdwatching community, mostly due to my wife’s passion for the hobby. Now, of course, I have taken my share of bird photos over a lifetime, but most of them could be classified as opportunistic accidents (one landed next to where I was sitting) or as props within a composition, something to add scale, balance or flavor to, let’s say a landscape. That is to say that birds, for me, have been objects in my pictures, not, for the most part, subjects. Lately, however, I can see a subtle shift in my own prioritization of them.
Part of my pedestrian attitude toward them is borne of my own technical limits, as I have never owned the kind of superzooms that are required to make a detailed study of them. If I can’t afford to bring them into close view and sharp detail, it’s just easier to represent them as dots, flecks or shadows, as you see in the image at left. This, in turn, connects to my admittedly jaundiced view of telephoto images in general, since I think the gear required to capture them invites as many problems as it solves. I prefer prime lenses for their simplicity, clarity, efficiency of light use and, let’s face it, affordability. I realize now that all those biases are under review: I am, for better or worse, revising how I see the natural world, or, more specifically, the living things within it. Much of this is thanks to Marian, who sees the earth as a kind of game preserve with we bipeds charged with its responsible curation. The influence of her good example has been amplified further by my rage against the corporate titans who would lay waste to the last unicorn if it lined their pockets, and the fact that, at this juncture, their side seems to have the upper hand.
And so as both a photographer and a person, I can’t really relegate birds, or bison, or duck-billed platypuses to the background of my work any more. I may never become a great nature photographer, but that’s not the point. Fact is, the journey involved in sharpening our eye is always a staircase. Each step is important, but the upward journey itself is the main thing. Any photographer lucky enough to have his/her seeing powers challenged, even changed, is blessed indeed.
I know this is true. A little bird told me.
By MICHAEL PERKINS
IF YOU WANT TO HEAR THE UNIVERSE LAUGH, goes the adage, make a plan. Or, in my specific case, if you want to ensure that pigeons hang around your house forever, make a plan to keep pigeons off the premises.
Start by installing tiny metal spikes in the cross beams right over the entrance to your front door. You’ve seen them, those steely porcupine quills designed to bar entry to all the nooks and crannies where birds love to assemble to conduct aerial assault on your sidewalks. Spikes go up, birds get packing, no cruelty, no pavement poo, everyone’s a winner, right?
And if you buy that story, I have bridge I want to sell you..
But, hey, I’m a humane slob, so I write the check, go for the whole spiny effect atop the house, and look forward to a lifetime of carefree maintenance and lordly leisure. Only someone forgot to send the spike company’s brochure to the curve-billed thrasher who decided to weave twigs between the spikes, further reinforcing his domicile against the elements. And wasn’t it nice of us to build the first phase of his nest for him? Sure, we’re swell that way.
So no pigeons living above the entrance, but still birds. Small hitch in the plan, however: Mama Thrasher isn’t a hit with the Neighborhood Watch Association (Avian Division) and leaves town. And here we see the fates in all their sadistic genius: a mother pigeon moves into my “pigeon-free” zone like a hobo in a rail car and proceeds to lay her own eggs. The circle of life is now complete!
So, as anyone wise enough to realize when he’s licked, I resolve to at least photograph this grand cosmic joke. Only the act of my going in and out of my front door each day spooks Mrs. Pudge to flight, and so it takes nearly a week to sneak a shot of her in residence……an ordinary, unchallenging, Photo 101 shot that a toddler could make, if only Nature can stop laughing at me long enough to say cheese.
Obviously, with this kind of outcome, I will not be rushing to bear-proof the back yard. Now if you’ll excuse me, the flowers could us a soaking rain, so I’m off to get my car washed.
By MICHAEL PERKINS
IN THE SPRING, JUST OUTSIDE OUR FRONT DOOR, THE MOST POIGNANT METAPHOR FOR MOTHERLY LOVE PLAYS OUT in the arms of our immense saguaro cactus. The trunk of this desert giant is regularly pockmarked by the peckings of improvised dwellings, which are temporary apartments for woodpeckers, thrashers and other breeds, and crude nests are typically crammed into the crevices between trunk and arm, so, whatever the season, we are well used to birdsong as the first sound of the morning.
But during late April and early May, an extra dimension of magic occurs when the typically blunt arms sprout hundreds of buds, and, in turn, bundles of gorgeous white cactus flowers. The blossoms are short-lived, opening and folding up dead within the space of a single day, but, for the earliest hours of their brief existence, they are life itself, not only to the regular bird crowd but also the seasonal surplus that flies in for breakfast. Between the blooms and the bugs which orbit them (also in search of nectar), it’s a smorgasbord.
That’s when I think of the sacrifice of mothers.
Birds, like most mothers you know, also spend every waking hour of their days foraging, building, sheltering, feeding, and fretting over the fates of their young. They tremble as their youngsters fledge; they learn to deal with the separation that must occur when their babies become adults in their own right; they deal with the sorrow over those who are destined never to fly. And they go on.
There is a kind of happy terror involved in being a mother, be you bird or biped, and the triumph of Mothers’ Day is that, somehow, that terror is faced, even embraced…..because the gold at the end of that particular rainbow is beyond price.
Hug a mother today, even if she’s not your own.
Especially if she’s not your own.
Connect, and say thank you.
After all, they taught us how to fly.
follow Michael Perkins on Twitter @mpnormaleye
- Happy Mother’s Day!! (dannapycher.wordpress.com)