By MICHAEL PERKINS
YOU CAN VIEW THE MAIN FUNCTION OF PHOTOGRAPHY AS TWOFOLD, with the deliberate creation of a vision as one path, and the arresting of time in its motion as the other. In the first case, we plan, conceive and execute at our leisure until the image that is behind our eye emerges on the page. In the second, we are hastening to capture and cage something that is in the act of disappearing. In one instance we compose. In the other, we preserve.
Sometimes the two purposes come together in one picture, although you seldom know it until after the image is made. Take the example below. In the moment, I was struck by the light patterns that bounced across the empty space of an event room at the visitor center for the Brooklyn Botanical Gardens. I wanted to do everything I could, exposure-wise, to dramatize the play of light in this special space. In addition to trying to create an image, however, I was also scurrying to keep a special number of factors from vanishing. I was both creating and preserving.
Obviously, the light you see would have had a dramatically different effect had the room been packed with, say, bodies or furniture, so its unobstructed path was one temporary condition. Another fleeting factor was the late afternoon light, which was, in addition to being extremely changeable, also one of the rare moments of pure sun the area had seen during a severely overcast day. It was as if the heavens opened up and angels were singing a song called, “Take The Picture, Already, Dummy”(perhaps you have heard this song yourself). Everything pointed to immediacy.
Full disclosure: getting this shot was not something that stretched me, or demanded exceptional skill. There was not one technically difficult factor in the making of this picture. You yourself have taken pictures like this. They are there and then they’re gone. But, they don’t get collected unless you see how fragile they are, and act in time. It’s not wizardry. It’s just acting on an instinct which, hopefully, gets sharper the longer you are in the game.
I often state one of my only primary commandments for photography as, Always Be Shooting. An important corollary to that rule might be, Always Be Ready To Shoot. Spot the potential in your surroundings quickly. Get used to the fact that many pictures will only dance before you for seconds at a time, flashing like heat lightning, then fading to oblivion. Picture-making is sometimes about casual and careful crafting of an image. And sometimes it’s a race of inches.
And sometimes it’s both.