the photoshooter's journey from taking to making

FLATTERY WILL GET YOU NOWHERE

My beautiful mother, well past 21 but curator of a remarkable face. Window light softens, but does not erase the textures of her features. 1/60 sec., f/4.5, ISO 200. 18mm.

My beautiful mother, well past 21 but curator of a remarkable face. Window light softens, but does not erase, the textures of her features. 1/60 sec., f/4.5, ISO 200. 18mm.

By MICHAEL PERKINS

THE DEPICTION OF THE FACES OF THOSE WE LOVE IS AMONG THE MOST DIVISIVE QUESTIONS IN PHOTOGRAPHY. Since the beginning of the medium, thoughts on how to capture them “best” clearly fall into two opposing camps. In one corner, the feeling that we must idealize, glamorize, venerate the features of those most special in our lives. In the other corner, the belief that we should capture faces as effects of time and space, that is, record them, without seeking to impose standards of grace or beauty on what is in front of the lens. This leads us to see faces as objects among other objects.

The first, more cosmetic view of faces, which calls for ideal lighting, a flattering composition, a little “sweetening” in the taking, will always be the more popular view, and its resultant images will always be cherished for emotionally legitimate reasons. The second view is, let’s “face” it, a hard sell. You have to be ready for a set series of responses from your subjects, usually including:

Don’t take me. I just got up.

God, I look so old. Delete that.

I hate having my picture taken.

That doesn’t even look like me.

Of course, since no one is truly aware of what they “look like”, there is always an element of terror in having a “no frills” portrait taken. God help me, maybe I really do look like that. And most of us don’t want to push to get through people’s defenses. It’s uncomfortable. It’s awkward. And, in this photo-saturated world, it’s a major trick to get people to drop their instinctive masks, even if they want to.

Still.

As I visually measure the advance of age on my living parents (both 80+ ) and have enough etchings on my own features to mirror theirs, I am keener than ever to avoid limiting my images of us all to mere prettiness. I am particularly inspired by photographers who actually entered into a kind of understanding with their closest life partners to make a sort of document out of time’s effects. Two extreme examples: Richard Avedon’s father and Annie Leibovitz’ partner Susan Sontag were both documented in their losing battles with age and disease as willing participants in a very special relationship with very special photographers….arrangements which certainly are out of the question for many of us. And yet, there is so much to be gained by making a testament of sorts out of even simple snaps. This was an important face in my life, the image can say, and here is how it looked, having survived more than 3/4 of a century. Such portraits are not to be considered “right” or “wrong” against more conventional pictures, but they should be at least a part of the way we mark human lives.

Don't forget to document the effects of time on your own face. f/1.8, 35mm.

Don’t forget to document the effects of time on your own face.  1/160 sec.,  f/1.8, ISO 200, 35mm.

Everyone has to decide their own comfort zone, and how far it can be extended. But I think we have to stretch a bit. Pictures of essentially beautiful people who, at the moment the shutter snaps, haven’t done up their hair, put on their makeup, or conveniently lost forty pounds. People in less than perfect light, but with features which have eloquent statements and truths writ large in their every line and crevice. We should also practice on ourselves, since our faces are important to other people, and ours, like theirs, are going to go away someday.

In trying to record these statements and truths, mere flattery will get us nowhere. The camera has an eye to see; let’s take off the rose-colored filter, at least for a few frames.

Advertisements

2 responses

  1. I’m impressed, I have to admit. Seldom do I come across a blog that’s both educative and entertaining, and
    let me tell you, you have hit the nail on the head. The issue is something which not
    enough people are speaking intelligently about. I’m very happy
    that I stumbled across this during my search for something regarding this.

    June 27, 2014 at 9:36 PM

    • Thank you so much for your kind comment, and for taking the time to check us out. My aim with THE NORMAL EYE is pretty simple. I try to write content that I myself might want to read, and to be taught in turn by those who stumble upon my efforts and kick in their two cents. There are pretty long odds these days against making a real human connection amidst the tsunami of virtual offerings, so, when someone pings back with a thoughtful reply, it’s like striking oil. Thanks for making my day.

      June 27, 2014 at 11:20 PM

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s