the photoshooter's journey from taking to making

ON MY WAY OUT…

By MICHAEL PERKINS

THE RECENT DEATH OF MY NINETY-SIX-YEAR-OLD FATHER actually resembled most visits I’ve made to Columbus, Ohio to visit him over the past quarter-century, in that a lot of my alone time was spent trying to reconcile the locales of my youth with the ghosts of things long vanished from those physical places. You can actually go home again, if you can bear the sight of things that you once thought were important, even vital, reverting to be just…..well, things.

No two people, certainly no two photographers, can regard the same scenes and come away with the same experience, and so we make fools of ourselves walking up to vacant lots and remarking to strangers that “there used to be a ball park here”. Not to the strangers’ eyes, certainly, and no longer even to us. Physical sites are imbued with only temporary meaning in one part of our lives, then revert to just their materials and geography once we stop needing them.

Nothing could be more ordinary than this simple arrangement of block concrete, which is adjacent to the spillway of Hoover Reservoir (not the more famous”dam”, nor the more infamous Hoover) on the northern edge of Columbus. Other than its role in providing some recreation and a clean supply of local drinking water, there is nothing visually remarkable about the place to the average photographer’s eye, and yet, to a seventy-three-year old just mourning the passing of a parent, it once held some special magic, and merited one last click.

When I was a boy, decades before farms and fields in the area would be swallowed by freeways and sprawl, motoring from my neighborhood to the Hoover constituted a half-day in the country. Driving our old Plymouth Savoy to the site meant a guaranteed stop at its rudimentary snack wagon (“food truck” for you kids) and a walk out to the spillway, where a thunderous cascade of water would explode forth from one of its release pipes and we kids would terrify our folks by leaning out over the low guard rail that barely separated us from watery doom hundreds of feet below.

I don’t know why I decided, after so many years of passing the reservoir on the way to somewhere else, that I needed one more up-close look. On this trip especially, I seem to have made several mini-pilgrimages to parks and wooded areas that once defined me, very aware that I was walking out of my old life for what now seemed forever. Of course, I will go back to Columbus gain, to see my sister, my adult children, my grandsons, and a dwindling network of old pals. But in some very real way, I was conscious that I walking out of some kind of door for the last time, with once-special places now returning to their normal uses as just more things in the world. A very strange kind of goodbye.

2 responses

  1. KATHRYN NOBLES's avatar
    KATHRYN NOBLES

    Seems I’m feeling this way a lot lately.

    >

    September 18, 2025 at 5:03 AM

    • I find that photography helps me map my emotions with a bit more clarity. Thanks for the visit, KN

      September 18, 2025 at 8:45 AM

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