the photoshooter's journey from taking to making

ACCIDENTALLY ON PURPOSE

By MICHAEL PERKINS

THE IMAGE SHARING GROUP UTATA, which operates within Flickr, has been, for this boy snapper, a daily touch of Christmas. It expands upon the rather pointless online quest for mere “likes” and is, instead, a genuine dialogue with other like-minded strange-o’s who want to push the boundaries of at least their own eyes and commiserate with others who long to do the same. The administrators keep Utatans united with periodic, deadline-based homework assignments organized along a a variety of seriously unconventional themes. Some require serious thought. Some can be created almost completely on impulse. And many more fall somewhere in between.

One of the nice bits of insta-fame conferred upon Utatans is having their work occasionally plugged onto the utata.org welcome page. Even better, head honcho Greg Fallis and his fellow guardians of the Utata universe will often provide new captions, poems, or essays of their own for the images, as if to tangibly demonstrate that, just as there is more than one way to see, there are a million ways to be seen. Upon recently conferring home-page status on a rather hurried celphone image I’d posted, Greg also managed to perfectly crystallize thoughts I’ve mulled over recent years:

A quick impulse, a thing of no importance. And that, in itself, may be important. 

See, here’s the thing about shooting photographs with your cell phone: it’s not a serious camera. That means you can relax. Try stuff. Shoot something different. Shoot something familiar in a different way. Shoot something different in a familiar way. It’s liberating because it’s “just” your cell phone.

In fact, the image was made in a very short space of time, shorter by far than if I’d made it with my “real” cameras. The original phone selfie was fed through an app designed to mimic both the strengths and weaknesses of antique portrait lenses, and, since I liked the ethereal quality it delivered, I decided to stop. Just stop. Stop fooling, fretting and fixing. Stop, and publish.

So, have I gotten to the point, at least some of the time, when I’m really living that old saw that “the best camera is the one you have with you?” Am I more spontaneous, more open to experiment, higher up the “wot the hell” scale when armed with a cel? Dunno. Really. Not being coy. I definitely still feel that umbilical-cord connection to my trad gear. But I dig immediate gratification as well, at least the gratification of shortening the gap between “wonder what would happen” and “hmm, that kind of worked.”

Is my conventional gear more “real”than my iPhone? Well, how do you define real? Obviously, there is an almost infinite number of post-processing tools available to compensate for whatever shortcomings the cameras themselves might possess. So, if I do advance prep in a DSLR before the shutter snap to ensure a good picture, does it disqualify an image if I snap it first and then enhance it afterwards in a cel? What is a darkroom? What is a workflow?

Big questions. And I don’t always get the same answers when I ask them.

 

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2 responses

  1. Mike. Your words always immerse me in this lovely language called English. If you ever publish a novel of your prose, I want to buy a first edition signed copy.

    November 4, 2017 at 9:44 AM

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