By MICHAEL PERKINS
PHOTOGRAPHY, AND THE HABITS WE FORM IN ITS PRACTICE, BECOME A HUGE MORGUE FILE OF FOLDERS marked “sometimes this works” or “occasionally try this”, tricks or approaches that aren’t good for everything but which have their place, given what we have to work with in the moment.
Compositionally, I find that just changing my vantage point is a kind of mental refresher. Simply standing someplace different forces me to re-consider my subject, especially if it’s a place I can’t normally get to. That means, whenever I can do something easy, like just standing or climbing ten feet higher than ground level, I include it in my shooting scheme, since it always surprises me.
For one thing, looking straight down on objects changes their depth relationship, since you’re not looking across a horizon but at a perpendicular angle to it. That flattens things and abstracts them as shapes in a frame, at the same time that it’s exposing aspects of them not typically seen. You’ve done a very basic thing, and yet created a really different “face” for the objects. You’re actually forced to visualize them in a different way.
Everyone has been startled by the city shots taken from forty stories above the pavement, but you can really re-orient yourself to subjects at much more modest distances….a footbridge, a step-ladder, a short rooftop, anything to remove yourself from your customary perspective. It’s a little thing, but then we’re in the business of little things, since they sometimes make big pictures.